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Transformers: Fall of Cybertron transports you to the final days of the planet Cybertron where you will experience the darkest hours of the apocalyptic war between the Autobots and Decepticons.
"The TRANSFORMERS are back, and this time they're in the hands of acclaimed developer PlatinumGames, who have combined their over-the-top brawler action with comic book inspired art to create a TRANSFORMERS game like none other."
A resurrected Unicron has taken over the now-lifeless body of Megatron to seek vengeance on the Autobots and ultimately, the destruction of Cybertron.
Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.
A mammoth robotic being, clearly of alien origin, has been found beneath the Arctic ice. Its advanced engineering dwarfs known human technology, and unlocking its secrets will catapult American science eons into the future. In search of the mysterious artifact's origin, a covert government agency sends the manned craft Ghost 1 on a perilous journey of discovery. When a mishap maroons Ghost 1 in the far reaches of unknown space, the ship's distress beacon reaches the very alien race Ghost 1's crew has been seeking: the Autobots. The gigantic mechanized beings are also on a quest: to find the Allspark, a device crucial to the salvation of their home world, Cybertron. But they're not alone. The Decepticons, the Autobots' brutal enemies, have their own sinister purposes in seeking the Allspark. As these adversaries are drawn together once more, the stage is set for a death-dealing new battle in which each is driven by a single-minded aim: total annihilation of the enemy.
A middle-aged widower named Aoyama agrees with a film producer pal's scheme to find him a new wife by holding fake movie auditions.
Angels in America is a 2003 HBO miniseries adapted from the Pulitzer Prize-winning play of the same name by Tony Kushner. Set in 1985, the film has at its core the story of two couples whose relationships dissolve amidst the backdrop of Reagan era politics, the spreading AIDS epidemic, and a rapidly changing social and political climate.
As humanity picks up the pieces, following the conclusion of "Transformers: Dark of the Moon," Autobots and Decepticons have all but vanished from the face of the planet. However, a group of powerful, ingenious businessman and scientists attempt to learn from past Transformer incursions and push the boundaries of technology beyond what they can control—all while an ancient, powerful Transformer menace sets Earth in his cross-hairs.
Sam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.
Sam Witwicky takes his first tenuous steps into adulthood while remaining a reluctant human ally of Autobot-leader Optimus Prime. The film centers around the space race between the USSR and the USA, suggesting there was a hidden Transformers role in it all that remains one of the planet's most dangerous secrets.
A four-star general begrudgingly teams up with an eccentric scientist to get the U.S. military's newest agency — Space Force — ready for lift-off.
When Rudy Baylor (Matt Damon), a young attorney with no clients, goes to work for a seedy ambulance chaser, he wants to help the parents of a terminally ill boy in their suit against an insurance company (represented by a ruthless Jon Voight). But to take on corporate America, Rudy and a scrappy paralegal (Danny DeVito) must open their own law firm.
