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Danny Quinn (Seth Bernard) lives with one great dream... he wants to prove his late father was right about a pirate treasure in the depths of Lake Michigan.

The fourth film version of Zane Grey's novel, this western follows the exploits of a prim Eastern woman who heads West and ends up in the arms of a vulgar, alcoholic ranch hand. Fortunately it only takes her less than 67 minutes to clean him up and turn his life around.

An illiterate stooge in a traveling medicine show wanders into a strange town and is picked up on a vagrancy charge. The town's corrupt officials mistake him for the inspector general whom they think is traveling in disguise. Fearing he will discover they've been pocketing tax money, they make several bungled attempts to kill him.

At the prompting of his diplomat friend, Alex, writer Ted Fletcher takes his wife, Laura, and daughter, Amy, on an extended working holiday. Alex finds a house for them in Kyoto, Japan, and the Fletchers move in, laughing off rumors that the place is haunted. But the ghost of 19th-century samurai Shigero turns out to be very real, and is intent on making the family re-enact an ancient murder-suicide.

Every spring, Hollywood hosts a very species-specific migration: kids. Thousands of aspiring child actors flock to Tinseltown for pilot season, the traditional casting period for new network and cable television shows. But unlike adult actors who pound the same star-lined pavement, kids come with their families. Many set up camp at the Oakwood, a temporary housing complex that caters to the showbiz flock. While their little Angelinas and mini Brads audition for armies of ruthless agents and TV executives, the parents must manage sky-high expectations and thin skins, including their own

A timeless and inspiring gift for Father's Day. Named a Best Book of 2017 by NPR, Library Journal, The Christian Science Monitor, and Newsday A Kirkus Best Memoir of 2017 Shortlisted for the 2017 Baillie Gifford Prize From award-winning memoirist and critic, and bestselling author of The Lost: a deeply moving tale of a father and son's transformative journey in reading--and reliving--Homer's epic masterpiece. When eighty-one-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last. As this intricately woven memoir builds to its wrenching climax, Mendelsohn's narrative comes to echo the Odyssey itself, with its timeless themes of deception and recognition, marriage and children, the pleasures of travel and the meaning of home. Rich with literary and emotional insight, An Odyssey is a renowned author-scholar's most triumphant entwining yet of personal narrative and literary exploration.

Rebellious teen Amy defies her parents by going to a trashy carnival that has pulled into town. In tow are her boyfriend, Buzz, and their friends Liz and Richie. Thinking it would be fun to spend the night in the campy "Funhouse" horror ride, the teens witness a murder by a deformed worker wearing a mask. Locked in, Amy and her friends must evade the murderous carnival workers and escape before it leaves town the next day.

Mordrcai Jones (George C. Scott) is a rural con artist (a 'flim flam man') who takes on a young army deserter Curley (Michael Sarrazin) as his protégé and teaches him the tricks of the trade. Sheriff Slade (Harry Morgan) is in hot pursuit of the pair and rich girl Bonnie Lee Packard (Sue Lyon) becomes romantically involved with Curley and helps the fleeing duo stay one step ahead of the sheriff. The film features a great automobile chase scene for those who appreciate this kind of cinema hijinks. Screenplay by William Rose ("It's a Mad, Mad, Mad, Mad World").

Fifteen years after its hardcover debut, the FSG Classics reissue of the celebrated work of narrative nonfiction that won the National Book Award and changed the American conversation about race, with a new preface by the author The Ball family hails from South Carolina—Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In Slaves in the Family, Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, Slaves in the Family is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word ‘family.'"