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Bruce is a repairman tormented by a crippling sense of responsibility for his disabled wife Samantha, an ex-policewoman. Bruce's increasing hypersensitivity to the injustice suffered by his wife steers him down a dark path of vigilantism. His disintegrating mental health, paranoia and overwhelming sense of doom causes Bruce to channel his rage towards a young woman.

This tour-de-force of American literature and a winner of the National Book Award is a profound, intimate, affecting novel from one of the most esteemed literary minds of the last century and a beloved chronicler of the West.   Joe Allston is a cantankerous, retired literary agent who is, in his own words, "just killing time until time gets around to killing me." His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, has not been his choice. He has passed through life as a spectator, before retreating to the woods of California in the 1970s with only his wife, Ruth, by his side. When an unexpected postcard from a long-lost friend arrives, Allston returns to the journals of a trip he has taken years before, a journey to his mother's birth­place where he once sought a link with his past. Uncovering this history floods Allston with memories, both grotesque and poignant, and finally vindicates him of his past and lays bare that Joe Allston has never been quite spectator enough.

Set in 1912, the entire film takes place inside a dive bar named The Last Chance Saloon, where its destitute patrons eagerly await the arrival of Hickey, who arrives annually and props everyone up with free drinks and spirited stories of his travels. However, when Hickey does show up this year, it is with a message of temperance and an exhortation to give up hopeless dreams and face reality.

A New York Review Books OriginalWinner of the Best Translated Book AwardDeception—the lies we tell ourselves and the lies we tell others—is the subject of this, Tove Jansson’s most unnerving and unpredictable novel. Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate.Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

Set in a town somewhere in the South, here is the story of a community of black people searching for the healing properties of salt who witness an event that will change their lives forever. Some of them are centered, some are off-balance; some are frightened, and some are daring. From the men who live off welfare women to the mud mothers who carry their children in their hides, the novel brilliantly explores the narcissistic aspect of despair and the tremendous responsibility that comes with physical, spiritual, and mental well-being.

A New York Times Notable BookOne of the Best Books of the Year: San Francisco Chronicle, St. Louis Post-Dispatch, Kansas City StarAt the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger. Rain, the mysterious white child with whom she crosses paths. And finally, Bride’s mother herself, Sweetness, who takes a lifetime to come to understand that “what you do to children matters. And they might never forget.”        A fiery and provocative novel, God Help the Child—the first book by Toni Morrison to be set in our current moment—weaves a tale about the way the sufferings of childhood can shape, and misshape, the life of the adult.

The internationally bestselling novel originally published as Malavita—now the major motion picture The Family, starring Robert De Niro, Michelle Pfeiffer, and Tommy Lee Jones, directed by Luc Besson, and produced by Martin ScorseseThis Deluxe Edition features a look inside The Family—including the theatrical trailer, clips from the film, and stills of the castThe Blakes are newcomers to a small town in Normandy. Fred is a historian researching the Allied landings, Maggie enjoys charity work, and their kids are looking forward to meeting other teenagers at the local lycée. Or so it seems.In fact, Fred is really Giovanni Manzoni, an ex-goodfella turned stool pigeon who’s been relocated from New Jersey to France by the FBI’s witness protection program. He’s got a two-million-dollar bounty on his head, but he and his family can’t help attracting attention (imagine the Sopranos in Normandy). And when imprisoned mobster Don Mimino gets wind of their location, it’s Mafia mayhem à la Josh Bazell’s Beat the Reaper, or like The Godfather as if written by Carl Hiaasen. Because while you can take the man out of the Mafia, you can’t take the Mafia out of the man.

Eight years ago, readers everywhere fell in love with Jim Glass, the precocious ten-year-old at the heart of Jim the Boy. Now a teenager, Jim returns in a tender and wise story of young love on the brink of World War Two. Jim Glass has fallen in love, as only a teenage boy can fall in love, with his classmate Chrissie Steppe. Unfortunately, Chrissie is Bucky Bucklaw’s girlfriend, and Bucky has joined the navy on the eve of war. Jim vows to win Chrissie’s heart in Bucky’s absence, but the war makes high school less than a safe haven and gives a young man’s emotions a grown man’s gravity. When Bucky returns to Aliceville a fallen hero, Jim finds himself adrift in a once-familiar town where everything, including Chrissie, seems to be changing.  With the uncanny insight into the well-intentioned heart that made Jim the Boy a modern classic, Tony Earley has fashioned a nuanced and unforgettable portrait of America in another time–making it feel even more real than our own day. This is a moving story of discovery, loss, and growing up, showing again that Tony Earley’s writing “radiates with a largeness of heart” (Esquire).From the Compact Disc edition.

An epic debut set on the edges of space, where one botched job could mean death—or so much worse…Wanderlust runs in Kivita Vondir’s blood. She dreamed of salvaging like her father when she was young, and now it’s her addiction, getting her through pit stops filled with cheap alcohol and cheaper companionship and distracting her from her broken heart.Her latest contract to hunt down a fabled gemstone is exactly the kind of adventure she craves. But this job is more than meets the eye. For one thing, her duplicitous employer has hired rebel Sar Redryll—Kivita’s former lover—to stop her at any cost. For another, Kivita’s recovery of the relic unleashes in her powerful new abilities. Abilities that everyone in the Cetturo Arm—human, alien, and in-between—desperately wishes to control…As she avoids a massive galactic manhunt, Kivita teams up with two unlikely allies: Sar and his enigmatic new partner. Only, as the gem’s mysteries are revealed and danger draws near, Kivita begins to wonder if her ex has truly changed, or if he’s just waiting for the right moment to betray her once again…

Tzippy Goldman was born for marriage. She and her mother had always assumed she’d graduate high school, be set up with the right boy, and have a beautiful wedding with white lace and pareve vanilla cream frosting. But at twenty-two, Tzippy’s fast approaching spinsterhood. She dreams of escape; instead, she leaves for a year in Jerusalem.There she meets–re-meets–Baruch, the son of her mother’s college roommate. When Tzippy last saw him, his name was Bryan and he wore a Yankees-logo yarmulke. Now he has adopted the black hat of the ultra-orthodox, the tradition in which Tzippy was raised. Twelve weeks later, they’re engaged...and discovering that desire and tradition, devotion and individuality aren’t the easiest balance. Hilarious, compassionate, and tremendously insightful, The Outside World illuminates an insular community, marvelously depicting that complicated blend of faith, love, and family otherwise known as life in a modern world.From the Trade Paperback edition.