Title Search Results

An intimate portrait of the legendary bass guitarist for The Who. This documentary includes the last footage ever recorded with John Entwistle, and features interviews with Pete Townshend, as well as other major figures in rock history.

A homeless French actor and a struggling actress band together with a group of misfits in an Alice in Wonderlandesque journey through tinsel town as they struggle to make a film with no money but plenty of attitude.

Here is a classic novel from one of our most honored writers--the author of such acclaimed works as So Long, See You Tomorrow and All the Days and Nights." The Folded Leaf is the serenely observed yet deeply moving story of two boys finding one another in the Midwest of the 1920s, when childhood lasted longer than it does today and even adults were more innocent of what life could bring.

An NYRB Classics Original   Tove Jansson was a master of brevity, unfolding worlds at a touch. Her art flourished in small settings, as can be seen in her bestselling novel The Summer Book and in her internationally celebrated cartoon strips and books about the Moomins. It is only natural, then, that throughout her life she turned again and again to the short story. The Woman Who Borrowed Memories is the first extensive selection of Jansson’s stories to appear in English. Many of the stories collected here are pure Jansson, touching on island solitude and the dangerous pull of the artistic impulse: in “The Squirrel” the equanimity of the only inhabitant of a remote island is thrown by a visitor, in “The Summer Child” an unlovable boy is marooned along with his lively host family, in “The Cartoonist” an artist takes over a comic strip that has run for decades, and in “The Doll’s House” a man’s hobby threatens to overwhelm his life. Others explore unexpected territory: “Shopping” has a post-apocalyptic setting, “The Locomotive” centers on a railway-obsessed loner with murderous fantasies, and “The Woman Who Borrowed Memories” presents a case of disturbing transference. Unsentimental, yet always humane, Jansson’s stories complement and enlarge our understanding of a singular figure in world literature.

A haunting novella, Death in Venice tells the story of a man who falls into foolish love, only to reap his own ruin. Gustav von Aschenbach, a dignified but lonely writer in the twilight of his life, is enjoying a Venetian vacation when he notices the taut, lean figure of a Polish boy. His name is Tadzio—and he embodies the sleek perfection of youth. Aschenbach finds himself completely and hopelessly obsessed with this ideal. Death in Venice brims with mythical imagery, exploring the themes of beauty and decay, passion and pestilence. This translation of Nobel laureate Thomas Mann’s work by Jefferson S. Chase includes an additional novella, Tonio Kröger, and the short stories “Tristan,” “Man and Dog: An Idyll,” “Hour of Hardship,” “Tobias Mindernickel,” and “The Child Prodigy.” Translated and with an Introduction by Jefferson S. Chase and an Afterword by Martin Swales 

Seeking funds for her orphanage in India, Isabelle travels to New York to meet Theresa, a wealthy benefactor. An invitation to attend a wedding ignites a series of events in which the past collides with the present while mysteries unravel.

A hapless parole officer is framed for murder by a crooked police chief. To prove his innocence he must entice his former clients away from the law abiding lives they are now living to recover the evidence that will save him.

Prague, 1610 Ludmila Novakova--Mila--has barely set foot outside Prague Castle in her seventeen years. But with the choice between braving the bandits and wolves of Bohemia's uneasy roads or being married off to a disgusting old baron, she's taken what she can carry and fled. Escape won't be easy. Even Mila has heard the rumors of a rebellion coming against the court. The peasants are hungry. The king hasn't been seen in months. Mila's father, the High Chancellor, is well known and well hated. But Mila can't sit behind a stone wall and let fear force her into a life of silk gowns and certain misery. Her mother's death has taught her that much. She has one ally: Marc, the son of the blacksmith. A commoner, a Protestant--and perhaps a traitor, too. But the farther she gets from the castle, the more lies she uncovers, unraveling everything she thought she knew. And the harder it is to tell friend from enemy--and wrong from right . . .

Each year, when the weather in Istanbul becomes unbearable, the family of Iskender Pasha, a retired Ottoman notable, retires to its summer palace overlooking the Sea of Marmara. It is 1899 and the last great Islamic empire is in serious trouble. A former tutor poses a question which the family has been refusing to confront for almost a century: ‘Your Ottoman Empire is like a drunken prostitute, neither knowing nor caring who will take her next. Do I exaggerate, Memed?’ The history of Iskender Pasha’s family mirrors the growing degeneration of the Empire they have served for the last five hundred years. This passionate story of masters and servants, school-teachers and painters, is marked by jealousies, vendettas and, with the decay of the Empire, a new generation which is deeply hostile to the half-truths and myths of the ‘golden days.’The Stone Woman is the third novel of Tariq Ali’s ‘Islam Quartet’. Like its predecessors—Shadows of the Pomegranate Tree and The Book of Saladin—its power lies both in the story-telling and the challenge it poses to stereotyped images of life under Islam.

Based on the well-loved Australian classic by Mrs. Aeneas Gunn, this is the remarkable true story of Jeannie Gunn, a woman who fought to overcome sexual and racial prejudice amid the harsh beauties of the outback. Leaving her Melbourne existence for a new life on her husband's isolated ranch, Jeannie's feisty, good-natured attitude soon wins over the misogynistic stockmen, but she faces a much tougher challenge in trying to change their racist attitudes towards the indigenous aboriginal population.