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NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal From the Trade Paperback edition.

Jason and his wife, Sarah, leave their adopted home of Shanghai and travel to Vancouver, British Columbia, for his uncle's funeral, staying with his Aunt Mei. Already disoriented, Jason and Sarah are unnerved when their son, Sam, begins seeing ghosts and violent deaths. After Sam is hospitalized, Sarah consults with a pharmacist who's well-informed about Chinese mythology and who tells her that supernatural forces threaten her son.

The story of a petty criminal and his girlfriend who try to escape their gang after a double cross of the thieves.

Fresh off the success of her first horror novel, Jessie is revered by the literaly world as the next Stephen King. While her editor anxiously awaits her next novel, she is suffering from writer's block. Out of fear of becoming a one-hit novelist, Jessie ventures to her deceased aunt's cabin in the woods to find inspiration for her new book. Having not visited in many years, Jessie has no memory of her childhood summers at the cabin or her time spent in the surrounding woods. But when darkness falls on Jessie's first night alone in the cabin, her memories begin to awaken. A dark presence resides here; one that seems to be watching Jessie every move and one that she has always been afraid of. A series of erotic, bizarre and terrifying events that force Jessie to question her own reality.

Muna has never known his father -- a samurai, a noble warrior. But Muna's mother has told Muna how he will know him one day: by the sign of the chrysanthemum. When his mother dies, Muna travels to the capital of twelfth-century Japan, a bewildering city on the verge of revolution. He finds a haven there, as servant to the great swordsmith, Fukuji. But Muna cannot forget his dream: He must find his father. Only then will he have power and a name to be reckoned with. Only then will he become a man.

BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time. Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake's exploits as he risks everything—including his life—to tell his brothers' story.

The long-awaited second volume of Nelson Mandela’s memoirs, left unfinished at his death and never before available, are here completed and expanded with notes and speeches written by Mandela during his historic presidency, making for a moving sequel to his worldwide bestseller Long Walk to Freedom. “I have discovered the secret that after climbing a great hill, one only finds that there are many more hills to climb. I have taken a moment here to rest, to steal a view of the glorious vista that surrounds me, to look back on the distance I have come. But I can rest only for a moment, for with freedom comes responsibilities, and I dare not linger, for my long walk is not ended.” In 1994, Nelson Mandela became the first president of a democratic South Africa. From the outset, he was committed to serving only a single five-year term. During his presidency, he and his government ensured that all of South Africa’s citizens became equal before the law, and he laid the foundation for turning a country riven by centuries of colonialism and apartheid into a fully functioning democracy. Dare Not Linger is the story of Mandela’s presidential years, drawing heavily on the memoir he began to write as he prepared to leave office, but was unable to finish. Now the acclaimed South African writer Mandla Langa has completed the task, using Mandela’s unfinished draft, detailed notes that Mandela made as events were unfolding, and a wealth of unseen archival material. With a prologue by Mandela’s widow, Graça Machel, the result is a vivid and often inspirational account of Mandela’s presidency and the creation of a new democracy. It tells the story of a country in transition and the challenges Mandela faced as he strove to make his vision for a liberated South Africa a reality.

India, 1825: the country lives in mortal fear of cult members known as the 'deceivers.' They commit robbery and ritualistic murder. Appalled by their activities, an English military man, Captain William Savage, conceives a hazardous plot to stop them. In disguise, he plans to himself become a 'deceiver? and infiltrate their numbers. Ever present in Savage's adventures is a sense of dread; he is in constant fear of betrayal and vengeance and also undergoes a disturbing psychological transformation as he experiences the cult's blood lust firsthand.

A young Aboriginal boy is torn between his unexpected love of acting and the disintegration of his family.

In 1980s Los Angeles, a professional dwarf basketball team composed of recognizable-but-typecast actors finds itself the unwitting vanguard of a revolution to represent little people as something other than objects of curiosity.