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Now a major motion picture directed by Robert Redford and starring Shia LaBeouf, Susan Sarandon, Julie Christie, Terence Howard, Anna Kendrick, Nick Nolte, and Stanley TucciIt is 2006. Seventeen-year-old Isabel Montgomery starts to receive emails from her father, a man who had abandoned her in a hotel room ten years ago when his past finally caught up with him. Why has he contacted her now? Because he needs her help and is finally ready to reveal the truth. Over the course of the next month, further emails arrive telling her more about her family's past. Isabel discovers that her father adopted a false identity in the hope of avoiding murder charges for a robbery gone wrong in 1974. By 1996, with a marriage falling apart around him, he is one last Vietnam-era fugitives still wanted by the law. When he is finally tracked down by a young newspaper reporter in search of a story he must abandon years of safe underground life in an attempt to exonerate himself. Set against the rise and fall of the radical anti-war group the Weather Underground, The Company You Keep is a sweeping American saga about sacrifice, the righteousness of youth, and the tension between political ideals and family loyalties.

A powerful, funny, richly observed tour de force by one of America’s most acclaimed young writers: a story of love and marriage, secrets and betrayals, that takes us from the backyards of America to the back alleys and villages of Bangladesh.In The Newlyweds, we follow the story of Amina Mazid, who at age twenty-four moves from Bangladesh to Rochester, New York, for love. A hundred years ago, Amina would have been called a mail-order bride. But this is an arranged marriage for the twenty-first century: Amina is wooed by—and woos—George Stillman online.  For Amina, George offers a chance for a new life and a different kind of happiness than she might find back home. For George, Amina is a woman who doesn’t play games. But each of them is hiding something: someone from the past they thought they could leave behind. It is only when they put an ocean between them—and Amina returns to Bangladesh—that she and George find out if their secrets will tear them apart, or if they can build a future together. The Newlyweds is a surprising, suspenseful story about the exhilarations—and real-life complications—of getting, and staying, married. It stretches across continents, generations, and plains of emotion. What has always set Nell Freudenberger apart is the sly, gimlet eye she turns on collisions of all kinds—sexual, cultural, familial. With The Newlyweds, she has found her perfect subject for that vision, and characters to match. She reveals Amina’s heart and mind, capturing both her new American reality and the home she cannot forget, with seamless authenticity, empathy, and grace. At once revelatory and affecting, The Newlyweds is a stunning achievement.

Wehrmacht officer Karl Bazinger is living the high life in Occupied Paris. But with his glamorous dinner companions and his open disdain for the Nazis, he begins to attract the attention of the SS. He is drawn into further trouble when he receives a suspicious visit from a friend who may be involved in resistance activities. To lower his profile, Karl requests a transfer to Kiev, where he discovers the extent of the Nazi atrocities. He then begins to suffer from a mysterious ailment, and through the ministrations of a beautiful Russian doctor, he finds his vital reconnection to hope. Urbane, subtle, and elegiac, The Year is ’42 is a moving portrait of ordinary lives lived under the extraordinary circumstances of war.From the Trade Paperback edition.

This vibrant, provocative début novel explores the dreams and struggles of three generations of Dominican women. Graciela, born on the outskirts of Santo Domingo at the turn of the century, is a headstrong adventuress who comes of age during the U.S. occupation. Too poor to travel beyond her imagination, she is frustrated by the monotony of her life, which erodes her love affairs and her relationship with Mercedes, her daughter. Mercedes, abandoned by Graciela at thirteen, turns to religion for solace and, after managing to keep a shop alive during the Trujillo dictatorship, emigrates to New York with her husband and granddaughter, Leila. Leila inherits her great-grandmother Graciela’s passion-driven recklessness. But, caught as she is between cultures, her freedom arrives with its own set of obligations and dangers.

Nelson Algren sought humanity in the urban wilderness of postwar America, where his powerful voice rose from behind the billboards and down tin-can alleys, from among the marginalized and ignored, the outcasts and scapegoats, the punks and junkies, the whores and down-on-their luck gamblers, the punch-drunk boxers and skid-row drunkies and kids who knew they'd never reach the age of twenty-one: all of them admirable in Algren’s eyes for their vitality and no-bullshit forthrightness, their insistence on living and their ability to find a laugh and a dream in the unlikeliest places.In Entrapment and Other Writings—containing his unfinished novel and previously unpublished or uncollected stories, poems, and essays—Algren speaks to our time as few of his fellow great American writers of the 1940s and ’50s do, in part because he hasn’t yet been accepted and assimilated into the American literary canon despite that he is held up as a talismanic figure. "You should not read [Algren] if you can’t take a punch," Ernest Hemingway declared. "Mr. Algren can hit with both hands and move around and he will kill you if you are not awfully careful."

The Devil’s Stocking is the story of Ruby Calhoun, a boxer accused of murder in a shadowy world of low-purse fighters, cops, con artists, and bar girls. Chronicling a battle for truth and human dignity which gives way to a larger story of life and death decisions, literary grandmaster Nelson Algren’s last novel is a fitting capstone to a long and brilliant career.

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren's lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren's beloved Chicago White Sox, among other subjects. In this collection, not just Algren's intensity but his diversity are revealed and celebrated.

A novel of rare genius, The Man with the Golden Arm describes the dissolution of a card-dealing WWII veteran named Frankie Machine, caught in the act of slowly cutting his own heart into wafer-thin slices. For Frankie, a murder committed may be the least of his problems.The literary critic Malcolm Cowley called The Man with the Golden Arm "Algren's defense of the individual," while Carl Sandburg wrote of its "strange midnight dignity." A literary tour de force, here is a novel unlike any other, one in which drug addiction, poverty, and human failure somehow suggest a defense of human dignity and a reason for hope.

As rock and roll novelist Tom Carson writes in his introduction, "The Neon Wilderness is the pivotal book of Nelson Algren's career--the one which bid a subdued but determined farewell to everything that had earlier made him no more than just another good writer, and inaugurated the idiosyncratic, bedevilled, cantankerously poetic sensibility that would see him ranked among the few literary originals of his times."Algren's classic 1947 short story collection is the pure vein Algren would mine for all his subsequent novels and stories. The stories in this collection are literary triumphs that "don't fade away." Among the stories included here are "A Bottle of Milk for Mother," about a Chicago youth being cornered for a murder, and "The Face on the Barrome Floor," in which a legless man pummels another man nearly to death--the seeds that would grow into the novel Never Come Morning. Algren's World War II stories whose final expression would be in the novel The Man with the Golden Arm are also part of this collection. "So Help Me," Algren's first published work, is here. Other stories include, "The Captain Has Bad Dreams," in which Algren first introduced the character of the blameless captain who feels such a heavy burden of guilt and wonders why the criminal offenders he sees seem to feel no guilt at all. And then there is "Design for Departure," in which a young woman drifting into hooking and addiction sees her own dreaminess outlasting her hopes.

The expression “beyond the black stump” refers to the deepest, darkest wilds of the Australian outback, the setting for Nevil Shute’s novel of a romance tested by cultural difference. Stanton Laird is an American geologist sent to hunt oil in a remote part of Western Australia. There he befriends the highly unconventional Regan family, the rough-and-tumble owners of a million-acre sheep station, and falls in love with their daughter Mollie. However, when Mollie goes to join him in America, the young couple must face the realization that they are products of radically different worlds.