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This is a tongue-in-cheek crime melodrama that became a 'Late Late Show' fixture in the 1980s, according to the DVD sleeve, Jack Palance plays Vic Morono, a high-ranking Prohibition-era mobster with a weakness for women who is waging an ongoing war with rival hoodlum Chico Hamilton (Warren Berlinger). Vic falls for gorgeous blonde Wendy (Carol Lynley). The film's title refers to the name of his speakeasy, and to his gang, which consists of himself, Wendy, and a brace comic-relief hoodlums. The Four Deuces opens with cartoon credits, and attempts a stylish comic strip look. Expecting some wit upon seeing the name Don Martin in the credits will drive you stark raving nuts - this is not the cartoonist who worked for "Mad" magazine. Light bondage and female flesh scenes might have upped ratings for those 1980s "Late Late Show" airings. Perhaps most notable is the that Ms. Lynley and Mr. Berlinger worked much more memorably together in the stage and film versions of Blue Denim

In a war-torn country that is plagued by a vicious dragon, Elenn, an arrogant, young noblewoman, accompanies her aunt on a mission to bring an ancient relic to the secret coronation of the rightful king.

Uncle Frankie (Danny Trejo) is not the kind of guy you want to meet in a dark alley. Especially when you owe him money and have been giving him the slip for a few years. Such is the fate of Lorenzo Adams (Gary Moore), a top bill collector at Lump Sum Collections. Uncle Frankie has tracked Lorenzo to Norfolk, Virginia and is coming to collect.

A bored, filthy rich married couple and their hired help play sordid games of deception, kidnap, sexual intrigue, and perhaps murder when a secret alliance is formed to kill domineering husband Jared for money he's been hoarding from them. Meanwhile, he may have a secret or two up his sleeves.

When an overenthusiastic Maya accidentally embarrasses the Empress of Buzztropolis, she is forced to unite with a team of misfit bugs and compete in the Honey Games for a chance to save her hive.

Korean War--era veterans and ex-classmates "Gunner" Casselman and "Sonny" Burns reunite upon their return home. Gunner, who spent the war years abroad, is trying to convince his mother that his gal Marty is good enough for him, while Sonny, who was stationed stateside, is torn between loyal Buddy and tempting Gale Ann. As they commiserate, the men realize that they're outgrowing the lives they lived before the war.

After a woman shoots a man to death, a damning letter she wrote raises suspicions.

With her disarming, intimate, completely accessible voice, and dry sense of humor, Nora Ephron shares with us her ups and downs in I Feel Bad About My Neck, a candid, hilarious look at women who are getting older and dealing with the tribulations of maintenance, menopause, empty nests, and life itself. Ephron chronicles her life as an obsessed cook, passionate city dweller, and hapless parent. But mostly she speaks frankly and uproariously about life as a woman of a certain age. Utterly courageous, uproariously funny, and unexpectedly moving in its truth telling, I Feel Bad About My Neck is a scrumptious, irresistible treat of a book, full of truths, laugh out loud moments that will appeal to readers of all ages.

A documentary destined to calmly explain and analyze the facts, myths and rumours about John Kennedy's assassination and the overwhelming use of information in Oliver Stone's epic "JFK" (1991), at the same time it presents a behind the scenes documentary on the controversial film. Features interviews with the cast and director, and the personalities who lived and remember the facts concerning the November 22, 1963, like reporters, eyewitnesses and others, and some of the real characters from the movie, like Jim Garrison, Numa Bertel, Lou Ivon and Perry Russo.

Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.