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The book of the popular movie STARRING GAEL GARCIA BERNAL NOW A NEW YORK TIMES BESTSELLER The young Che Guevara's lively and highly entertaining travel diary, now a popular movie and a New York Times bestseller. This new, expanded edition features exclusive, unpublished photos taken by the 23-year-old Ernesto on his journey across a continent, and a tender preface by Aleida Guevara, offering an insightful perspective on the man and the icon. "A journey, a number of journeys. Ernesto Guevara in search of adventure, Ernesto Guevara in search of America, Ernesto Guevara in search of Che. On this journey of journeys, solitude found solidarity, 'I' turned into 'we'." --Eduardo Galeano "When I read these notes for the first time, I was quite young myself and I immediately identified with this man who narrated his adventures in such a spontaneous manner... To tell you the truth, the more I read, the more I was in love with the boy my father had been..." --Aleida Guevara "Our film is about a young man, Che, falling in love with a continent and finding his place in it." --Walter Salles, director of "The Motorcycle Diaries." "As his journey progresses, Guevara's voice seems to deepen, to darken, colored by what he witnesses in his travels. He is still poetic, but now he comments on what he sees, though still poetically, with a new awareness of the social and political ramifications of what's going on around him."--January Magazine Also available in Spanish: DIARIOS DE MOTOCICLETA (978-1-920888-11-4) Features of this edition include: A preface by Che Guevara's daughter Aleida Introduction by Cintio Vintier, well-known Latin American poet Photos & maps from the original journey Postcript: Che's personal reflections on his formative years: "A child of my environment." Published in association with the Che Guevara Studies Center, Havana

Carlos Webster was fifteen in the fall of 1921 the first time he came face-to-face with a nationally known criminal. A few weeks later, he killed his first man—a cattle thief who was rustling his dad's stock. Now Carlos, called Carl, is the hot kid of the U.S. Marshals Service, one of the elite manhunters currently chasing the likes of Dillinger, Baby Face Nelson, and Pretty Boy Floyd across America's Depression-ravaged heartland. Carl wants to be the country's most famous lawman. Jack Belmont, the bent son of an oil millionaire, wants to be public enemy number one. Tony Antonelli of True Detective magazine wants to write about this world of cops and robbers, molls and speakeasies from perilously close up. Then there are the hot dames—Louly and Elodie—hooking their schemes and dreams onto dangerous men. And before the gunsmoke clears, everybody just might end up getting exactly what he or she wished for.

New York Times bestselling author Colleen McCullough returns us to an age of magnificent triumphs, volcanic passions, and barbaric cruelties. Throughout the Western world, great kingdoms have fallen and despots lay crushed beneath the heels of Rome's advancing legions. But now internal rebellion threatens the stability of the mighty Republic. An aging, ailing Gaius Marius, heralded conqueror of Germany and Numidia, longs for that which was prophesied many years before: an unprecedented seventh consulship of Rome. It is a prize to be won only through treachery and with blood, pitting Marius against a new generation of assassins, power-seekers, and Senate intriguers—and setting him at odds with the ambitious, tormented Lucius Cornelius Sulla, once Marius's most trusted right-hand man, now his most dangerous rival.

The Shapeshifting Detective is a supernatural-noir murder mystery FMV game where you play as a detective who can shapeshift into other characters, allowing you to unlock secret conversations and private encounters.

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

An American actor in England tries to find love and work.

Itzhak Rabin's murder ended all efforts of peace, and with him the whole left wing of Israel died. The movie shows the last of his days as prime minister, and what led to his murder.

When John Mason's father is killed, John is wounded. Attracted to his nurse Alice, a conflict arises between him and his friend Ben who plans to marry Alice. John later finds the killer of his father but goes to face him not knowing Ben has removed the bullets from his gun.

Ernest P. Worrell is now in the military as a soldier. Once he begins, him and his team investigates a dictator who was responsible for the wars in the nearly village. Suddenly, Ernest finds a lost boy and has to keep him safe until his father recovers.

Charlie and Paulie consider themselves "family" even though they are only fifth cousins. Neither of them is 100 percent legitimate but they are not heavy thieves either. They beat the system as best they can with the various inside hustles of New York City's bar and restaurant scene. Charlie, managing a Village restaurant at age thirty-five, needs one shot to realize his dream of owning his own place in rural New England. Meanwhile, he's just a jump ahead of two shylocks and into the worst streak of losing horses he has ever gone through. Paulie is only a five-foot-three-inch waiter but he thinks big. Very image conscious, he even tips toll booth attendants. And he went into hock to become part owner of a "turrow bed" racehorse. Now he has an idea for one foolproof burglary that will solve all his problems for good, and he enlists Charlie in his scheme. The third member of the team is Barney. A semi-retired locksmith and safecracker from the Bronx, Barney has a retarded son and is willing to take one last gamble to provide for his future. A clean break-in, a three-way split, and each of their dreams will come true. Maybe. Before it's over, they find themselves relentlessly hunted by both the Mafia "wise guys" and the police. And each of them grasps for survival in a different way. Acutely realistic yet wondrously funny, The Pope of Greenwich Village captures the speech, the scams, the flavor, the dread, and the humor of ordinary people scrambling to make it big in a neighborhood that prides itself on creating and enforcing its own laws.