Title Search Results

NOW A MAJOR MOTION PICTURE In this groundbreaking debut, Justin Torres plunges us into the chaotic heart of one family, the intense bonds of three brothers, and the mythic effects of this fierce love on the people we must become. "We the Animals is a dark jewel of a book. It’s heartbreaking. It’s beautiful. It resembles no other book I’ve read.”—Michael Cunningham "A miracle in concentrated pages, you are going to read it again and again." —Dorothy Allison "Rumbles with lyric dynamite . . . Torres is a savage new talent." —Benjamin Percy, Esquire "A fiery ode to boyhood . . . A welterweight champ of a book." —NPR, Weekend Edition "A tremendously gifted writer whose highly personal voice should excite us in much the same way that Raymond Carver’s or Jeffrey Eugenides’s voice did when we first heard it." —Washington Post "A novel so honest, poetic, and tough that it makes you reexamine what it means to love and to hurt." —O, The Oprah Magazine "The communal howl of three young brothers sustains this sprint of a novel . . . A kind of incantation." —The New Yorker

Roland, the Last Gunslinger, and his companions--Eddie Dean and Susannah--cross the desert of damnation, drawing ever closer to the Dark Tower, a legion of fiendish foes, and revelations that could alter the world.

In this engaging and provocative new book, Lee Eisenberg, bestselling author of The Number, dares to tackle nothing less than what it takes to find enduring meaning and purpose in life. He explains how from a young age, each of us is compelled to take memories of events and relationships and shape them into a one-of-a-kind personal narrative. In addition to sharing his own pivotal memories (some of them moving, some just a shade embarrassing), Eisenberg presents striking research culled from psychology and neuroscience, and draws on insights from a pantheon of thinkers and great writers-Tolstoy, Freud, Joseph Campbell, Virginia Woolf, among others. We also hear from men and women of all ages who are wrestling with the demands of work and family, ever in search of fulfillment and satisfaction. It all adds up to a fascinating story, delightfully told, one that goes straight to the heart of how we explain ourselves to ourselves-in other words, who we are and why.

A box of possessions. A father with no memory. A daughter with just one day to piece together the past.

Han Alister thought he had already lost everyone he loved. But when he finds his friend Rebecca Morley near death in the Spirit Mountains, Han knows that nothing matters more than saving her. The costs of his efforts are steep, but nothing can prepare him for what he soon discovers: the beautiful, mysterious girl he knew as Rebecca is none other than Raisa ana'Marianna, heir to the Queendom of the Fells. Han is hurt and betrayed.

Liliane Bettencourt is the world's richest woman, and the tenth wealthiest in the entire world. But at 93, she's embroiled in incredible controversy - controversy so great it almost took down the French government. It's all become Europe's biggest scandal in years, uncovering a shadowy corporate history, a buried WWII secret, and much more - so much that the former President of France has become embroiled in the controversy.

NEW YORK TIMES BESTSELLER • A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother. “This is not a book you read just once, but a tale of terrible beauty to get lost in over and over.”—Newsweek “By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling.”—The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don’t Let’s Go to the Dogs Tonight is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller—known to friends and family as Bobo—grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don’t Let’s Go to the Dogs Tonight is more than a survivor’s story. It is the story of one woman’s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don’t Let’s Go to the Dogs Tonight “Riveting . . . [full of] humor and compassion.”—O: The Oprah Magazine “The incredible story of an incredible childhood.”—The Providence Journal

It's not easy being Apollo, especially when you've been turned into a human and banished from Olympus. On his path to restoring five ancient oracles and reclaiming his godly powers, Apollo (aka Lester Papadopoulos) has faced both triumphs and tragedies. Now his journey takes him to Camp Jupiter in the San Francisco Bay Area, where the Roman demigods are preparing for a desperate last stand against the evil Triumvirate of Roman emperors. Hazel, Reyna, Frank, Tyson, Ella, and many other old friends will need Apollo's aid to survive the onslaught. Unfortunately, the answer to their salvation lies in the forgotten tomb of a Roman ruler . . . someone even worse than the emperors Apollo has already faced.

A group of Spanish refugees try to organize protests from France. Their network is under constant threat by the police and some of them have recently been arrested. The main character (played by Yves Montand) dedicated his whole life to the battle but he feels forever estranged. He doesn't find his place nor in his adoptive country (France) nor in love. But this film is not about the story, it's all about style. Alain Resnais has an original approach in this film and this is the thing that makes this film worth watching.

During World War I, a poor black Southerner travels north to Chicago to get work in the city's slaughterhouses, where he becomes embroiled in the organized labor movement.