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His only friend called him 'the man from nowhere'... Taesik, a former special agent becomes a loner after losing his wife in a miserable accident and lives a bitter life running a pawnshop. He only has a few customers and a friend named Somi, a little girl next door. As Taesik spends more and more time with Somi, he gets attached to her. Then Somi is kidnapped by a gang, and as Taesik tries to save Somi by becoming deeply associated with the gang his mysterious past is revealed...

In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men whose greedy conspiracy to acquire her father's land caused his death years earlier.

Manhattan, 1912. A time of greed, corruption, scandal and distrust, when the police commissioner had this advice for the citizenry: "Don't take a criminal investigation into your own hands. Don't poke about a dead body. Don't investigate a robbery all on your own." Then the most outrageous and brutal bank heist of the young century occurred, and the city combusted in fear and anger. Wall Street brokers were carrying guns. The police looked more ineffectual by the day. Not a single man could break the case. But perhaps a woman could. Mrs. Isabella Goodwin was a smart and resourceful police matron who had gone about as far as a woman in police work could go. The bank robbery presented a unique career opportunity. As Elizabeth Mitchell writes in "The Fearless Mrs. Goodwin," a true story so astounding it reads like fiction, only a woman could penetrate New York's underworld without attracting suspicion. When Goodwin got the call from headquarters, she was ready. With glimmering eyes, the widow with four children to support disappeared into Manhattan's underbelly. Would she return with her man? Would she make it back at all? In this Byliner Original, Elizabeth Mitchell, the author of "W: Revenge of the Bush Dynasty," and "Three Strides Before the Wire: The Dark and Beautiful World of Horse Racing," has delved into New York City's hurly-burly past and returned with a classic crime story all the more amazing for having actually happened. ABOUT THE AUTHOR Elizabeth Mitchell is an award-winning journalist and the author of "Three Strides Before the Wire: The Dark and Beautiful World of Horse Racing" and "W.: Revenge of the Bush Dynasty." She served as executive editor of "George" magazine and features editor of "Spin." She lives in Brooklyn, New York. PRAISE FOR "THE FEARLESS MRS. GOODWIN" "What a ripsnort! Elizabeth Mitchell's exploration of New York City in the early 1900s and the remarkable woman detective who took on savvy, brutal criminals is a fascinating piece of history and a riveting story. Old-timey CSI, but much wilder, and no deodorant." -Sam Lipsyte, author of "Home Land" and "The Ask" "Molls, tough guys, an insane bank heist and N.Y.C.'s feistiest chick-the perfect beach read. Loved it!!!" -Simon Doonan, author of "Beautiful People" "Elizabeth Mitchell brings to life the story of Isabella Goodwin, New York's first female police detective, with deep reporting and evocative details. This Film Noir tale of early New York is a scintillating read that grips you from the first page and never lets up." -Darcey Steinke, author of "Easter Everywhere" and "Suicide Blonde" "A fascinating real-life crime story, starring New York City's first female detective, and 1912 New York in all its corrupt and vivid glory." -Katha Pollitt, author of "Learning to Drive"

An intimate look at life in the ghetto: Johnny Williams is a house painter who moonlights as a poet, struggling to financially and emotionally support his cancer-ridden wife Mattie. But times are tough and the poverty-troubled streets are even tougher, and it takes every ounce of Johnny's love and courage for the couple to make it through their strife, finding redemption in the River Niger.

During the medieval times, Martin Guerre returns to his hometown in the middle of France, after being away in the war since he was a child. Nobody recognise him, and the people who knew him suspect he is not Martin, but he knows all about his family and friends, even the most unusual things. Is this man really Martin Guerre?

Master spy, Nazi hunter—and werewolf on the prowl—in occupied Paris: A classic of dark fantasy from a Bram Stoker Award—winning author. Allied Intelligence has been warned: A Nazi strategy designed to thwart the D-Day invasion is underway. A Russian émigré turned operative for the British Secret Service, Michael Gallatin has been brought out of retirement as a personal courier. His mission: Parachute into Nazi-occupied France, search out the informant under close watch by the Gestapo, and recover the vital information necessary to subvert the mysterious Nazi plan called Iron Fist. Fearlessly devoted to the challenge, Gallatin is the one agent uniquely qualified to meet it—he’s a werewolf. Now, as shifting as the shadows on the dangerous streets of Paris, a master spy is on the scent of unimaginable evil. But with the Normandy landings only hours away, it’s going to be a race against time. For Gallatin, caught in the dark heart of the Third Reich’s twisted death machine, there is only one way to succeed. He must unleash his own internal demons and redefine the meaning of the horror of war. From the award-winning author of Swan Song and Boy’s Life, this is a “powerful novel [that] fuses WWII espionage thriller and dark fantasy. Richly detailed, intricately plotted, fast-paced historical suspense is enhanced by McCammon’s unique take on the werewolf myth” (Publishers Weekly).

In “a spectacular display of intelligence and feeling” (Publishers Weekly, starred review), Paul Yoon’s collection of short stories ranges throughout the world—from the Hudson Valley to the Russian Far East—across periods of time after World War II, hailed as a "genuine work of art...tough and elegant and true" (The Boston Globe). In The Mountain, award-winning and acclaimed author Paul Yoon reveals his subtle, ethereal, and strikingly observant style with six thematically linked stories, taking place across several continents and time periods and populated with characters who are connected by their traumatic pasts, newly vagrant lives, and quests for solace in their futures. Though they exist in their own distinct worlds (from a sanatorium in the Hudson Valley to an inn in the Russian far east) they are united by the struggle to reconcile their traumatic pasts in the wake of violence, big and small, spiritual and corporeal. A morphine-addicted nurse wanders through the decimated French countryside in search of purpose; a dissatisfied wife sporadically takes a train across Spain with a much younger man in the wake of a building explosion; a lost young woman emigrates from Korea to Shanghai, where she aimlessly works in a camera sweat shop, trying fruitlessly to outrun the ghosts of her past. In this "fantastic collection" (Los Angeles Times), “Paul Yoon’s dazzling use of wordplay, pacing, and the quiet authenticity of his characters…makes him one of the most evocative writers working today” (Kirkus Reviews, starred review). With The Mountain, “Yoon proves himself a literary alchemist, transforming tragedy into beauty with deft reminders of our universal connections…Joining such luminaries as Jhumpa Lahiri, Junot Díaz, and Alice Munro, Yoon has undoubtedly earned membership in the exclusive coterie of today’s finest writers of the short form” (Library Journal, starred review).

The award-winning author of Finnikin of the Rock and Jellicoe Road pens a raw, compelling novel about a family’s hard-won healing on the other side of trauma.Award-winning author Melina Marchetta reopens the story of the group of friends from her acclaimed novel Saving Francesca - but five years have passed, and now it’s Thomas Mackee who needs saving. After his favorite uncle was blown to bits on his way to work in a foreign city, Tom watched his family implode. He quit school and turned his back on his music and everyone that mattered, including the girl he can’t forget. Shooting for oblivion, he’s hit rock bottom, forced to live with his single, pregnant aunt, work at the Union pub with his former friends, and reckon with his grieving, alcoholic father. Tom’s in no shape to mend what’s broken. But what if no one else is either? An unflinching look at family, forgiveness, and the fierce inner workings of love and friendship, The Piper’s Son redefines what it means to go home again.

From a brilliant fantasy master comes a tale of astounding magic, unrelenting evil, and redemptive courage.Travis Wilder and Grace Beckett have returned to modern Earth to get medical help for Beltan, a knight from the otherworld of Eldh. But as Beltan lies unconscious in the ICU of a Denver hospital, a shadowy organization plots to kidnap him, and sinister forces of dark magic cross the boundary from Eldh in a murderous search for Travis and Grace.Meanwhile, in Eldh, a young baroness, her witch companion, and their mortal and immortal friends journey to a dying city, there to confront a nameless evil that has begun to annihilate the very gods.Somehow Travis and Grace must save Beltan and themselves, then make their way back to Eldh. For only there can they hope to defeat a demonic enemy that can shatter time, devour space, and turn existence into nothingness.From the Paperback edition.

The denial of the Holocaust has no more credibility than the assertion that the earth is flat. Yet there are those who insist that the death of six million Jews in Nazi concentration camps is nothing but a hoax perpetrated by a powerful Zionist conspiracy. Sixty years ago, such notions were the province of pseudohistorians who argued that Hitler never meant to kill the Jews, and that only a few hundred thousand died in the camps from disease; they also argued that the Allied bombings of Dresden and other cities were worse than any Nazi offense, and that the Germans were the “true victims” of World War II. For years, those who made such claims were dismissed as harmless cranks operating on the lunatic fringe. But as time goes on, they have begun to gain a hearing in respectable arenas, and now, in the first full-scale history of Holocaust denial, Deborah Lipstadt shows how—despite tens of thousands of living witnesses and vast amounts of documentary evidence—this irrational idea not only has continued to gain adherents but has become an international movement, with organized chapters, “independent” research centers, and official publications that promote a “revisionist” view of recent history. Lipstadt shows how Holocaust denial thrives in the current atmosphere of value-relativism, and argues that this chilling attack on the factual record not only threatens Jews but undermines the very tenets of objective scholarship that support our faith in historical knowledge. Thus the movement has an unsuspected power to dramatically alter the way that truth and meaning are transmitted from one generation to another.