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Reef is back in Halifax for the funeral of Frank Colville, his former mentor. Memories of Frank compete with memories of Leeza and the terrible way their relationship ended. Mindful that the restraining order against him has been renewed by Leeza’s mother, Reef has no intention of staying in Halifax for long.Leeza, in the meantime, is feeling stifled by her mother’s “concern.” A first-year student at Dalhousie, she is kicking herself for not attending university out of town.Despite Reef ’s best efforts to stay away, circumstances push him and Leeza ever closer to each other. An eager political crusader wants to close Reef ’s former group home, and he will stop at nothing to get media attention, including manipulating news items. Reef is shocked to discover that he has been photographed outside Leeza’s house and, therefore, in violation of the restraining order. Finding himself at the center of growing controversy, Reef is pushed to his limits.Before he leaves town, Reef must face his demons and make some tough choices or else risk losing everything he has worked for, including the only girl he has ever loved.

Samwise Gamgee recounts Aragorn's role in the War of the Ring to his children.

"Susanna Moore's novel astonished me--one of those brilliant objects that come along only rarely, all light on clear water, and then one realizes the faster currents underneath, the terrible swiftness of sex and time. " --Joan DidionIn this mesmerizing novel, Susanna Moore displays a naturalist's eye for the landscape of her native Hawaii and an uncanny sensitivity to the despairing love between mothers and daughters. Lily Shields grows up amid the fragrance of night-jasmine and burning sugar cane, and the heady atmosphere of her mother's madness. For if Anna Shields is an island unto herself--fragile, glamorous, and fearfully needy--Lily is the bridge that connects her to reality. But now Lily is a young woman and a mother herself, self-exiled from Hawaii but still attached to Anna's tragedy. And as she tries to untangle those threads of love and loyalty, Moore gives us a novel of shimmering beauty and sadness. My Old Sweetheart is a small classic, perfectly formed and mysteriously wise."Susanna Moore is a gifted and compelling novelist . . .  in possession of her own unique voice." --The New York Times Book Review"I can't recall another novel like this about mothers and daughters. . . . Lily's mysterious, half-told tale delighted and touched me."--Susan Lydon, Village Voice

In the remote hills of northern England lives a powerful clan with a centuries-old secret. They are the drákon, shape-shifters who possess the ability to Turn—changing from human to smoke to dragon. And from the very stones of the earth, they hear hypnotic songs of beauty and wonder. But there is one stone they fear....Buried deep within the bowels of the Carpathian Mountains lies the legendary dreaming diamond known as Draumr, the only gem with the power to enslave the drákon. Since childhood, Lady Amalia Langford, daughter of the clan’s Alpha, has heard its haunting ballad but kept it secret, along with another rare Gift....Lia can hear the future, much in the way she hears the call of Draumr. And in that future, she realizes that the diamond—along with the fate of the drákon—rests in the hands of a human man, one who straddles two worlds.Ruthlessly clever, Zane has risen through London’s criminal underworld to become its ruler. Once a street urchin saved by Lia’s mother, Zane is also privy to the secrets of the clan—and is the only human they trust to bring them Draumr. But he does nothing selflessly.Zane’s hunt for the gem takes him to Hungary, where he is shocked to encounter a bold, beautiful young noblewoman: Lia. She has broken every rule of the drákon to join him, driven by the urgent song of Draumr—and her visions of Zane. In one future, he is her ally. In another, her overlord. In both, he is her lover. Now, to protect her tribe, Lia must tie her fate to Zane’s, to the one man capable of stealing her future—and destroying her heart....From the Hardcover edition.

Set in the 1990s, these are the life and times of Amado Carrillo Fuentes, a man who became the head of the Juárez cartel. Nicknamed “El Señor de los Cielos” (Lord of the Skies) because of the large fleet of airplanes he used to transport drugs, he was also known for washing more than $200 million through Colombia to finance his huge fleet. He is described as the most powerful drug trafficker of his time.

The hero of John Updike’s first novel, published when the author was twenty-six, is ninety-four-year-old John Hook, a dying man who yet refuses to be dominated. His world is a poorhouse—a county home for the aged and infirm—overseen by Stephen Conner, a righteous young man who considers it his duty to know what is best for others. The action of the novel unfolds over a single summer’s day, the day of the poorhouse’s annual fair, a day of escalating tensions between Conner and the rebellious Hook. Its climax is a contest between progress and tradition, benevolence and pride, reason and faith.

A cowboy looking for his missing father, poses as an outlaw and joins the gang he thinks is responsible.

Martin Simmonds’ father tells him, “Never trust a musician when he speaks about love.” The advice comes too late. Martin already loves Dovidl Rapoport, an eerily gifted Polish violin prodigy whose parents left him in the Simmonds’s care before they perished in the Holocaust. For a time the two boys are closer than brothers. But on the day he is to make his official debut, Dovidl disappears. Only 40 years later does Martin get his first clue about what happened to him. In this ravishing novel of music and suspense, Norman Lebrecht unravels the strands of love, envy and exploitation that knot geniuses to their admirers. In doing so he also evokes the fragile bubble of Jewish life in prewar London; the fearful carnival of the Blitz, and the gray new world that emerged from its ashes. Bristling with ideas, lambent with feeling, The Song of Names is a masterful work of the imagination.From the Trade Paperback edition.

An NYRB Classics OriginalA humble clerk and his loving wife scrape out a quiet existence on the margins of Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families’ consent, and unable to have children of their own, Sōsuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of Sōsuke’s brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital. Desperate and torn, Sōsuke finally resolves to travel to a remote Zen mountain monastery to see if perhaps there, through meditation, he can find a way out of his predicament.        This moving and deceptively simple story, a melancholy tale shot through with glimmers of joy, beauty, and gentle wit, is an understated masterpiece by one of Japan’s greatest writers. At the end of his life, Natsume Sōseki declared The Gate, originally published in 1910, to be his favorite among all his novels. This new translation captures the oblique grace of the original while correcting numerous errors and omissions that marred the first English version.

The fourth film version of Zane Grey's novel, this western follows the exploits of a prim Eastern woman who heads West and ends up in the arms of a vulgar, alcoholic ranch hand. Fortunately it only takes her less than 67 minutes to clean him up and turn his life around.