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The Prodigal Troll is a tale of a human child raised by a band of mythological creatures that is both hysterical and moving.When Lord Gruethrist's castle is laid under siege by an invading baron, he sends a trusted knight and nursemaid off with his infant son. Their escape across a wilderness landscape populated by fantastic creatures and torn by war takes unexpected turns until the baby is finally adopted by a mother troll grieving for her own lost child. Christened "Maggot" by a hostile stepfather, the human boy grows up amid the crude but democratic trolls until he leaves the band to rediscover the world of humankind.But the world of man is a complex and capricious place. Maggot must master its strange ways if he is to survive... let alone win the heart and hand of the Lady Portia.Finlay's society of trolls are unlike any you've ever read before, and his matriarchal medieval world, pitted as they are against an analog of Native American tribesmen, provides a rich setting for many poignant social and political insights.
“In the fall, I went for walks and brought home bones. The best bones weren’t on trails—deer and moose don’t die conveniently—and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories . . .”So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in The New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.A must read for everyone who cares about literary writing, The Dead Fish Museum belongs on the same shelf with the best American short fiction.From the Hardcover edition.
World Fantasy Award winner Charles de Lint conjures a thrilling, otherworldly tale of magic and family bonds.A young woman locked in rage yet seeking magic, Ash is drawn into a wondrous Otherworld of totems and dryads, living tarots and mystic charms. At the same time, Ash's cousin Nina is stalked by an Otherworld demon—a manitou who can force her mind and soul into the bodies of beasts. Ash must find the strength to overcome her own anger, learn the full power of magic, and save Nina before she becomes the manitou's weapon, turning the faerie realm into an arctic wasteland. De Lint fans will relish this urban and otherworldly fantasy, partially set in the author's trademark Newford."A compelling fantasy that combines elements of Native American and Celtic mythology to create a fluid and unexpected otherworld, open to all with the ability to enter and traverse it."—School Library Journal
The compelling and powerful first novel from World Fantasy Award winner Charles de Lint!He is the Songweaver, but before he was a master of song he was merely Cerin of Wran Cheaping—a seventeen-year-old orphan raised by a wildland witch. Then he encountered the Maid of the Grey Rose—the lone survivor of the war that devastated the Trembling Lands and the promised bride of Yarac Stone-Slayer, the feared and terrible Waster. The mysterious beauty captured Cerin's heart, drawing him into a world both dark and deadly, until armed with only a tinkerblade and the magic of song, he would take on a man's challenge . . . and choose a treacherous path toward a magnificent destiny."Charles de Lint is one of the most gifted storytellers writing fantasy today."—Locus
Jay Li should be in Chicago, finishing high school and working at his family's restaurant. Instead, as a born member of the Yellow Dragon Clan-part human, part dragon, like his grandmother-he is on a quest even he does not understand. His journey takes him to Santo del Vado Viejo in the Arizona desert, a town overrun by gangs, haunted by members of other animal clans, perfumed by delicious food, and set to the beat of Malo Malo, a barrio rock band whose female lead guitarist captures Jay's heart. He must face a series of dangerous, otherworldly-and very human-challenges to become the man, and dragon, he is meant to be. This is Charles de Lint at his best!
Welcome to Fujisawa Academy: an educational institution where nothing is as it seems and every pupil hides a dark secret. Having made a pact with a demon fox—and bestowing you with the power to see the truth behind the lies—you must uncover the sinister truths behind the seemingly normal facade.
Pulitzer Prize-winning author Larry McMurtry continues his epic four-novel telling of The Berrybender Narratives with a new adventure that is both a grand literary achievement and riveting entertainment as forged by a master wordsmith.... The indefatigable Tasmin Berrybender and her eccentric family trek on through the unexplored Wild West of 1830s America -- and suffer the harsh realities of the untamed wilderness, including sickness, brutal violence and death, the desertion of trusted servants, and the increasing hardships of daily life in a land where survival is never certain. Filled with larger-than-life legendary figures such as mountain men Jim Bridger and Kit Carson, vividly rendered action, irresistible good humor, and an ever-changing cast of characters that readers will treasure, The Wandering Hill proves again that Larry McMurtry still reigns as the first statesman of the Old West.
La Patrona is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Mexican Argos Comunicación. The telenovela is a remake of the Venezuelan telenovela La Dueña, written by José Ignacio Cabrujas. The name reflects a local term or slang in Mexico to address a person recognized as the main boss. However, the title is also a reflection of both the protagonist and the antagonist struggle to conquer power, authority and respect in a labor field traditionally deemed to be a man's job.
“Eerie and atmospheric, this psychological thriller will twist its way into readers’ psyches.” —Booklist In today’s “lean in” era, debut novelist Siobhan Adcock casts the issue of whether women can ever “have it all” into a superbly written novel that will have readers everywhere talking. Bridget has given up her career to raise her daughter, but now a terrifying presence has entered their Texas home—and only Bridget can feel it. In 1902, motherhood spurs Rebecca to turn her back on her husband, despite her own misgivings. As Adcock crosscuts these two women’s stories with mounting tension, each arrives at a terrible ordeal of her own making.
With the precision of a surgeon, Peter Stamm cuts to the heart of the fragile and revealing moments of everyday life.They are bankers, students, mothers, or retirees. They live in New York City or somewhere in Switzerland, they work in London or Riga, they cross paths in a Fado bar in Lisbon. They breathe the banal routine of daily life. It is to these ordinary people that Peter Stamm grants center stage in his latest collection of short stories. Henry, a cowherd turned stuntman, crisscrosses the country, dreaming of meeting a woman. Inger, the Dane, refuses her skimpy life and takes off for Italy. Regina, so lonely in her big house since her children left and her husband passed away, discovers the world anew thanks to the Australian friend of her granddaughter, who helps Regina envision her next voyage.In these stories, Stamm's clean style expresses despair without flash, through softness and small gestures, with disarming retorts full of derision and infinite tenderness. There, where life hesitates, ready to tip over—with nothing yet played out—is where these people and their stories exist. For us, they all become exceptional. Praise for Unformed Landscape: "Sensitive and unnerving. . . . An uncommonly intimate work, one that will remind the reader of his or her own lived experience with a greater intensity than many of the books that are published right here at home." —The New Republic OnlineFrom the Hardcover edition.