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Amid the cactus wilds some two hundred miles from Hollywood lies a privileged oasis called Desert D’Or. It is a place for starlets, directors, studio execs, and the well-groomed lowlifes who cater to them. And, as imagined by Norman Mailer in this blistering classic, Desert D’Or is a moral proving ground, where men and women discover what they really want—and how far they are willing to go to get it. As Mailer traces their couplings and uncouplings, their uneasy flirtation with success and self-extinction, he creates a legendary portrait of America’s machinery of desire.   Praise for The Deer Park   “A scathing portrayal of Hollywood . . . studded with brilliant and illuminating passages.”—The New York Times Book Review   “A writer of the greatest and most reckless talent . . . [Mailer] drives us up and down The Deer Park at breakneck speed. It is a trip through unfamiliar country, for a time funny and then unnerving.”—The New Yorker   “Savage . . . brilliant . . . exhilarating.”—The Atlantic Monthly   “Entertaining and wise . . . In addition to his furious energy and true ear, Mailer is simpatico with humanity . . . on a level rare in American fiction.”—The New Republic   Praise for Norman Mailer   “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times   “A writer of the greatest and most reckless talent.”—The New Yorker   “Mailer is indispensable, an American treasure.”—The Washington Post   “A devastatingly alive and original creative mind.”—Life   “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books   “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune   “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

Summer 1869, and Sherlock Holmes and his friend Irene celebrate her sixteenth birthday by attending the theater to watch a celebrated magician make a real dragon appear on stage. It is the London sensation. Sherlock and Irene meet the magician, Alistair Hemsworth – just as he is arrested for the murder of his rival, The Wizard of Nottingham. It seems that traces of the missing Wizard’s blood and his spectacles were found in Hemsworth’s secret studio. Hemsworth has a motive: not only is the Wizard his rival, but he also caused a scandal when he lured Hemsworth’s wife away. But is Hemsworth guilty? Sherlock has his doubts, and soon, so does the reader.With humor and plot turns as dizzying as a narrow London lane, Shane Peacock invites his readers into a fascinating world, and a fresh adventure with one of literature’s favorite characters. The Boy Sherlock Holmes series is an international success with readers and reviewers alike.

Mariko Oshiro is not your average Tokyo cop. As the only female detective in the city’s most elite police unit, she has to fight for every ounce of respect, especially from her new boss. While she wants to track down a rumored cocaine shipment, he gives her the least promising case possible. But the case—the attempted theft of an old samurai sword—proves more dangerous than anyone on the force could have imagined. The owner of the sword, Professor Yasuo Yamada, says it was crafted by the legendary Master Inazuma, a sword smith whose blades are rumored to have magical qualities. The man trying to steal it already owns another Inazuma—one whose deadly power eventually comes to control all who wield it. Or so says Yamada, and though he has studied swords and swordsmanship all his life, Mariko isn’t convinced. But Mariko’s skepticism hardly matters. Her investigation has put her on a collision course with a curse centuries old and as bloodthirsty as ever. She is only the latest in a long line of warriors and soldiers to confront this power, and even the sword she learns to wield could turn against her.  

IN MY FAMILY, when anyone rides the wave of their emotions, we say they're chucking a birkett. When the emotion drives out all common sense, we say they're chucking a big one. The telltale signs are: flaming cheeks, shortness of breath, bulging eyes, and a prolonged illogical outburst.Gemma Stone is convinced that it's always unseemly to chuck a birkett and that it's actually insane to chuck one in front of a complete stranger. But that was before she fell for a boy who barely knows she exists, before she auditioned for the school play, before she met the family of freaks her sister Debbie is marrying into, before the unpredictable Raven De Head took an interest in her, and before she realized that at the right time and for the right reason, a birkett could be a beautiful thing.From the Hardcover edition.

The military's brightest minds tackle the country's toughest legal challenges at the Marine Corps Base Quantico, where every attorney is trained as a prosecutor, a defense lawyer, an investigator, and a Marine. Working side-by-side, they serve their country with integrity while often putting aside ideals for the sake of the truth.

A sudden visit from a patient and his unstable, outrageously candid wife leads to a delirious night of shattering revelations for a husband and wife team of therapists.

When young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister's and must join forces with her sister's husband in order to defeat a demonic entity that is using new technology to complete an ancient mission.

A rerelease of a 1965 best-selling classic traces the author's experiences as a first-generation African American raised in the Northern ghettos of Harlem in the mid-20th century, an upbringing marked by violence, drugs and devastating urban disadvantages. By the author of Makes Me Wanna Holler.

In a war-torn country that is plagued by a vicious dragon, Elenn, an arrogant, young noblewoman, accompanies her aunt on a mission to bring an ancient relic to the secret coronation of the rightful king.

Set in the war-torn world of Mughal India and first published in the gathering darkness of the 1930s, The Root and the Flower is an epic story of intrigue, murder, and romance; of Tantric abandonment and Buddhist renunciation; of emotional delirium and spiritual adventure. The cast of characters includes Hari, a reckless and passionate warrior; Sita, in love with both Hari and her husband Amar, a prince who wishes to forsake the world but is increasingly drawn into a bloody political struggle; and Sita and Amar’s son Jali, whose precocious encounters with sex and violence threaten him with madness.At once a dream of India and a vision of a world riven by political, ethnic, and religious conflicts, The Root and the Flower is a work of great range and singular poetic beauty. It is, in Penelope Fitzgerald’s words, a “strange masterpiece,” and one of the unsung glories of modern literature.