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There's a Girl in My Hammerlock

Thirteen-year-old Maisie Potter joins her school's formerly all-male wrestling team and tries to last through the season, despite opposition from other students, her best friend, and her own teammates. An ALA Best Book for Young Adults. Reissue.

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There's Someone Inside Your House

A New York Times bestseller! "The best new horror of the season." –Mashable "There’s Someone Inside Your House is equal parts heart-stopping horror and steamy romance. It’s tons of bloody fun." –HelloGiggles "Turn on—all—the lights before reading this hair-raiser full of serious Scream vibes." –Seventeen It's been almost a year since Makani Young came to live with her grandmother in landlocked Nebraska, and she's still adjusting to her new life. And still haunted by her past in Hawaii. Then, one by one, the students of her small town high school begin to die in a series of gruesome murders, each with increasing and grotesque flair. As the terror grows closer and the hunt intensifies for the killer, Makani will be forced to confront her own dark secrets. Stephanie Perkins, bestselling author of Anna and the French Kiss, returns with a fresh take on the classic teen slasher story that’s fun, quick-witted, and completely impossible to put down. "There's Someone Inside Your House is a heart-pounding page-turner with an outstanding cast of characters, a deliciously creepy setting, and an absolutely merciless body count. Best read at night with big bowl of popcorn, this is a killer addition to the slasher genre written by one of the best contemporary YA writers around." —Courtney Summers, author of All the Rage and Cracked Up to Be "Perkins deftly builds the suspense like a pro.... Readers will be sleeping with one eye open." —Booklist "Perkins lulls readers into a false sense of security before twisting the knife." —Publishers Weekly

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These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901, Arizona Territories

In a novel based on the life of the author's ancestor, Sarah Prine, a child of the westward expansion, records her dreams, marriage, adventures, joys, and sorrows in her diary.

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These Mean Streets, Darkly

Metropolis wasn't a bad place, but it wasn't a good one either. THESE MEAN STREETS, DARKLY is the prequel to the cyberpunk, detective series, LIQUID COOL. It's a world of colossal skyscrapers. Hovercars fly above in the dark, rainy skies and gray people walk below on the grimy, hard streets in the "Neon Jungle." Uber-governments and megacorporations fight for control of the super-city, but so does crime. An average woman, Carol—hardworking and decent in every way— loses her daughter to the psycho Red Rabbit. Can Police Central find the girl in time—alive? And is it really a random, senseless kidnapping in the fifty-million-plus supercity? There are a million victims and perpetrators in this High-Tech, Low-Life World. This is one of those stories…before we meet our private eye (and unlikely hero), Cruz, in the debut novel, Liquid Cool. These Mean Streets, Darkly: A Liquid Cool Prequel (Short Story)

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These Old Shades

"A story in the grand tradition of romance, where love...reclaims one thought to be beyond all hope of redemption."—STEPHANIE LAURENS, New York Times bestselling author A thrilling, chilling tale of long-awaited revenge... What People Are Saying About These Old Shades: "For a truly exceptional read, Regency or otherwise, that makes you giddy with glee you need to pick up These Old Shades."—Love Romance Passion "If the story that unfolds is outrageous and unbelievable, the characters develop beautifully, the dialog bubbles delightfully, and we love the rollicking ride."—Jane Austen's World

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These Truths: A History Of The United States

In the most ambitious one-volume American history in decades, award-winning historian and New Yorker writer Jill Lepore offers a magisterial account of the origins and rise of a divided nation, an urgently needed reckoning with the beauty and tragedy of American history. Written in elegiac prose, Lepore’s groundbreaking investigation places truth itself—a devotion to facts, proof, and evidence—at the center of the nation’s history. The American experiment rests on three ideas—"these truths," Jefferson called them—political equality, natural rights, and the sovereignty of the people. And it rests, too, on a fearless dedication to inquiry, Lepore argues, because self-government depends on it. But has the nation, and democracy itself, delivered on that promise? These Truths tells this uniquely American story, beginning in 1492, asking whether the course of events over more than five centuries has proven the nation’s truths, or belied them. To answer that question, Lepore traces the intertwined histories of American politics, law, journalism, and technology, from the colonial town meeting to the nineteenth-century party machine, from talk radio to twenty-first-century Internet polls, from Magna Carta to the Patriot Act, from the printing press to Facebook News. Along the way, Lepore’s sovereign chronicle is filled with arresting sketches of both well-known and lesser-known Americans, from a parade of presidents and a rogues’ gallery of political mischief makers to the intrepid leaders of protest movements, including Frederick Douglass, the famed abolitionist orator; William Jennings Bryan, the three-time presidential candidate and ultimately tragic populist; Pauli Murray, the visionary civil rights strategist; and Phyllis Schlafly, the uncredited architect of modern conservatism. Americans are descended from slaves and slave owners, from conquerors and the conquered, from immigrants and from people who have fought to end immigration. "A nation born in contradiction will fight forever over the meaning of its history," Lepore writes, but engaging in that struggle by studying the past is part of the work of citizenship. "The past is an inheritance, a gift and a burden," These Truths observes. "It can’t be shirked. There’s nothing for it but to get to know it."

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They All Saw A Cat

They All Saw A Cat — New York Times bestseller and 2017 Caldecott Medal and Honor Book The cat walked through the world, with its whiskers, ears, and paws . . . In this glorious celebration of observation, curiosity, and imagination, Brendan Wenzel shows us the many lives of one cat, and how perspective shapes what we see. When you see a cat, what do you see? If you and your child liked The Girl Who Drank the Moon, Finding Winnie, and Radiant Child — you'll love They All Saw A Cat "An ingenious idea, gorgeously realized." —Shelf Awareness, starred review "Both simple and ingenious in concept, Wenzel's book feels like a game changer." —The Huffington Post

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They Come in All Colors

2019 First Novelist Award from the Black Caucus of the American Library Association An “urgent and heartrending novel about an America on the brink” (Matt Gallagher, author of Youngblood), They Come in All Colors follows a biracial teenage boy who finds his new life in the big city disrupted by childhood memories of the summer when racial tensions in his hometown reached a tipping point. It’s 1968 when fourteen-year-old Huey Fairchild begins high school at Claremont Prep, one of New York City’s most prestigious boys’ schools. His mother had uprooted her family from their small hometown of Akersburg, Georgia, leaving behind Huey’s white father and the racial unrest that ran deeper than the Chattahoochee River. But for our sharp-tongued protagonist, forgetting the past is easier said than done. At Claremont, where the only other nonwhite person is the janitor, Huey quickly realizes that racism can lurk beneath even the nicest school uniform. After a momentary slip of his temper, Huey finds himself on academic probation and facing legal charges. With his promising school career in limbo, he begins to reflect on his memories of growing up in Akersburg during the Civil Rights Movement—and the chilling moments leading up to his and his mother’s flight north. With Huey’s head-shaking antics fueling this coming-of-age narrative, the novel triumphs as a tender and honest exploration of race, identity, family, and homeland, and a work that is “emotionally acute…eye-opening and rewarding for a wide range of readers” (Library Journal, starred review).

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They Do It with Mirrors

Stonygates had been built originally as a kind of Temple to Victorian Plutocracy - Philanthropy had made of it a home for Juvenile Deliquents. Over the entrance were inscribed the words "Recover Hope All Ye Who Enter Here". But Miss Jane Marple came to Stonygates in fulfilment of a promise to an old school friend to find out what was wrong at this most unusual college, now being run by the friend's third husband and housing, besides two hundred juvenile deliquents, the stepchildren of her previous marriages. As soon as she arrived Jane Marple knew thet her friend was right: something was wrong at Stonygates. What she saw around her was illusion, not reality. In the words of the conjuror "They do it with mirrors" But who? And why?

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They May Not Mean To, But They Do: A Novel

From one of America’s greatest comic novelists, a hilarious new novel about aging, family, loneliness, and love The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws, and same-sex spouses. But families don’t just grow, they grow old, and the clan’s matriarch, Joy, is not slipping into old age with the quiet grace her children, Molly and Daniel, would have wished. When Joy’s beloved husband dies, Molly and Daniel have no shortage of solutions for their mother’s loneliness and despair, but there is one challenge they did not count on: the reappearance of an ardent suitor from Joy’s college days. And they didn’t count on Joy herself, a mother suddenly as willful and rebellious as their own kids. The New York Times–bestselling author Cathleen Schine has been called “full of invention, wit, and wisdom that can bear comparison to [ Jane] Austen’s own” (The New York Review of Books), and she is at her best in this intensely human, profound, and honest novel about the intrusion of old age into the relationships of one loving but complicated family. They May Not Mean To, But They Do is a radiantly compassionate look at three generations, all coming of age together.