Title Search Results

The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Ones Who Walk Away from Omelas" is a short story originally published in the collection The Wind's Twelve Quarters.

The New York Times bestseller about what would happen if two statistics-minded outsiders were allowed to run a professional baseball team It’s the ultimate in fantasy baseball: You get to pick the roster, set the lineup, and decide on strategies -- with real players, in a real ballpark, in a real playoff race. That’s what baseball analysts Ben Lindbergh and Sam Miller got to do when an independent minor-league team in California, the Sonoma Stompers, offered them the chance to run its baseball operations according to the most advanced statistics. Their story in The Only Rule is it Has to Work is unlike any other baseball tale you've ever read. We tag along as Lindbergh and Miller apply their number-crunching insights to all aspects of assembling and running a team, following one cardinal rule for judging each innovation they try: it has to work. We meet colorful figures like general manager Theo Fightmaster and boundary-breakers like the first openly gay player in professional baseball. Even José Canseco makes a cameo appearance. Will their knowledge of numbers help Lindbergh and Miller bring the Stompers a championship, or will they fall on their faces? Will the team have a competitive advantage or is the sport’s folk wisdom true after all? Will the players attract the attention of big-league scouts, or are they on a fast track to oblivion? It’s a wild ride, by turns provocative and absurd, as Lindbergh and Miller tell a story that will speak to numbers geeks and traditionalists alike. And they prove that you don’t need a bat or a glove to make a genuine contribution to the game.

Named One of the 16 Best Young Adult Books of 2016 (So Far) by Paste Magazine! Trixie Watson has two very important goals for senior year: to finally save enough to buy the set of Doctor Who figurines at the local comic books store, and to place third in her class and knock Ben West--and his horrendous new mustache that he spent all summer growing—down to number four. Trixie will do anything to get her name ranked over Ben's, including give up sleep and comic books—well, maybe not comic books—but definitely sleep. After all, the war of Watson v. West is as vicious as the Doctor v. Daleks and Browncoats v. Alliance combined, and it goes all the way back to the infamous monkey bars incident in the first grade. Over a decade later, it's time to declare a champion once and for all. The war is Trixie's for the winning, until her best friend starts dating Ben's best friend and the two are unceremoniously dumped together and told to play nice. Finding common ground is odious and tooth-pullingly-painful, but Trixie and Ben's cautious truce slowly transforms into a fandom-based tentative friendship. When Trixie's best friend gets expelled for cheating and Trixie cries foul play, however, they have to choose who to believe and which side they're on—and they might not pick the same side. Stephanie Perkins meets 10 Things I hate About You in The Only Thing Worse than Me Is You, a fresh, romantic debut from author Lily Anderson inspired by Much Ado About Nothing.

The evil pixie Opal Koboi has spent the last year in a self-induced coma, plotting her revenge on all those who foiled her attempt to destroy the LEPrecon fairy police. And Artemis Fowl is at the top of her list. After his last run-in with the fairies, Artemis had his mind wiped of his memories of the world belowground. But they have not forgotten about him. Once again, he must stop the human and fairy worlds from colliding – only this time, Artemis faces an enemy who may have finally outsmarted him.

New York Times and USA Today Bestseller! "Absorbing and arresting." —New York Times "Fascinating and factual." —Los Angeles Times "Chilly, witty, and completely engrossing ... great, good fun." — Kirkus Reviews "An outstanding historical novel of 17th–century France ... based on a real–life scandal known as the Affaire des Poisons, this tale is riveting from start to finish." —Library Journal For a handful of gold, Madame de Morville will read your future in a glass of swirling water. You'll believe her, because you know she's more than 150 years old and a witch, and she has all of Paris in the palm of her hand. But Madame de Morville hides more behind her black robes than you know. Her real age, the mother and uncle who left her for dead, the inner workings of the most secret society of Parisian witches: none of these truths would help her outwit the rich who so desperately want the promise of the future. After all, it's her own future she must control , no matter how much it is painted with uncertainty and clouded by vengeance. "Take a full cup of wit, two teaspoons of brimstone, and a dash of poison, and you have Judith Merkle Riley's mordant, compelling tale of an ambitious young woman who disguises herself as an ancient prophetess in order to gain entry into the dangerous, scheming glamour of the Sun King's court. Based on scandalous true events, The Oracle Glass brims with our human foibles, passions, and eccentricities; it's a classic of the genre and unlike any historical novel you have ever read." —C. W. Gortner, author of The Confessions of Catherine de Medici

Suddenly, it’s a world flooded with magic and danger draws closer with every passing second. When the powers of sixteen gods are inherited by four teenagers, destruction is not far behind. In Maxton City, everything changes in the blink of an eye. When a portal to the Chaos Realm – a place of torment, a world of horrors – opens up over Maxton City Park, the monsters begin to appear. Then comes the First Queen of Earth. Unbeknownst to anyone, four teenagers have found the means to battling these enemies deep in the Cradle of Humankind. They have found the Amulets of the Spirits, artefacts that house the souls of long-dead gods and grant the four powers beyond their wildest dreams, creating the new Guardians. Using these amulets, they can take the forms of the gods, and wield power that would incinerate mortals. But even that might not be enough... Serena, the First Queen, the Demon Queen, is searching for the most powerful artefact in existence, an artefact capable of granting the power of a god: The Oracle’s Journal. If she ascends, then not even the guardians can stop her. And there’ll be no gods to help them for what comes next...

From the author of SOPHIE'S WORLD, a modern fairy tale with a philosophical twist. 'My father died eleven years ago. I was only four then. I never thought I'd hear from him again, but now we're writing a book together' To Georg Røed, his father is no more than a shadow, a distant memory. But then one day his grandmother discovers some pages stuffed into the lining of an old red pushchair. The pages are a letter to Georg, written just before his father died, and a story, 'The Orange Girl'. But 'The Orange Girl' is no ordinary story - it is a riddle from the past and centres around an incident in his father's youth. One day he boarded a tram and was captivated by a beautiful girl standing in the aisle, clutching a huge paper bag of luscious-looking oranges. Suddenly the tram gave a jolt and he stumbled forward, sending the oranges flying in all directions. The girl simply hopped off the tram leaving Georg's father with arms full of oranges. Now, from beyond the grave, he is asking his son to help him finally solve the puzzle of her identity.

In the hundreds of years since the Holy City disappeared, darkness has fallen over the land. Human kingdoms have seized control of the realm, scattering the other races into hiding. Bridazak, a skilled thief, and his friends, a Dwarf and a fellow Ordakian, have dared to remain within the human communities and live relatively quiet lives, until they discover a mysterious, magical artifact. The three friends are thrust into an adventure that will challenge their faith, their purpose, and their destiny as they chase a forgotten and lost prophecy across the realm of Ruauck-El, where they hope to discover the origins of the strange item and their place in its history. An ancient, unknown enemy threatens the completion of their journey at every turn. Bridazak is about to face the biggest adventure of his life, one that may change the known realm, and answer the questions he has carried all his life. Will they unlock the truth?

'What made the orchard miraculous was an abandoned railway carriage, set down as if by magic, its wheels gone, anchored by long grass and nettles. Ruby and I stared at it and each other . . . dark-windowed, out of place in a thicket of thorns, it was the perfect hide-out, house, the camp of our dreams' When April's parents move from London to rural Kent she makes her first best friend. With flame-haired, fearless Ruby, April shares secrets, dares and laughter. But Ruby has secrets of her own -bruises that she hides. Also seeking April's friendship is old Mr Greenidge, immaculate in his linen suit, with eyes like blue glass. He follows her around the village with his beguiling dachshund, and wants to learn everything about her.