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The Emperor's armies have developed a new weapon: a thrown blade that can remove someone's head from long distance. As the paranoid Emperor begins decapitating anyone he fears might be a threat, his guard Mau Tang becomes disillusioned with the excesses of his master. He leaves his post and takes up the quiet life of farming and raising a family. Eventually, though, his past catches up with him, and he must find a way to fight the flying guillotine if he is to save his head.
It's the beginning of the WWII. South of France. Patricia, 18, is the oldest daughter of a well-digger, Pascal, who considers her a princess because of her moral qualities. She's kind, devoted. One day, she briefly meets a young man, Jacques, the son of Mazel, owner of the shop where her father buy his material. He's handsome and teasing. Her father's friend, Felipe, would love to marry her, and he invites her to an aviation show. She accepts his invitation only because she knows Jacques is a pilot and will be there. Soon, she'll carry his child, and he'll be gone, and the family will have to deal with this out-of-wedlock pregnancy...
Virginia Cunningham is confused upon finding herself in a mental hospital, with no memory of her arrival at the institution. Tormented by delusions and unable to even recognize her husband, Robert, she is treated by Dr. Mark Kik, who is determined to get to the root of her mental illness. As her treatment progresses, flashbacks depict events in Virginia's life that may have contributed to her instability.
Lei Ming, a noble young martial arts student who doesn't know the meaning of giving up. He faces a treacherous, blood-thirsty Japanese karate expert, which leads to many memorable battles as well as several unforgettable training sequences.
Welcome to 2020: The European Union has collapsed following the fourth Gulf War and massive barricades keep illegal immigrants out of cities that are barely functioning. In the middle of this highly volatile environment is the family of Walter Kuper, an energy conglomerate executive. Walter’s daughter, Cecilia, has joined the Black Storm terrorist group. Her sister Laura must choose between motherhood and the man she loves; their brother Philip has been called into fight for Germany in a hopeless war to secure the last remaining oil fields. Starring leading actors Daniel Brühl, Johanna Wokalek and Jürgen Vogel, "The Days to Come" asks provocative questions about the current state of things as it depicts personal and political realities in a scarily believable near–future.
In this story of friendship and reproductive rights, 14 years in the relationship between two very dissimilar women are chronicled. Pauline is a middle-class city girl, at odds with her very conventional family. Suzanne is several years older, a country girl with two illegitimate children and another (whom she cannot support) on the way. Pauline loans Suzanne money for an (illegal) abortion. At this point, the two separate and communicate mainly through postcards. Some years later, they meet at an abortion rally, and they have many adventures and stories to share with one another.
The story involves a series of murders in Charron's performing company, murders caused by various members getting doused with vitriolic acid. Turns out all the people killed have a common denominator in their past, one which has recently re-surfaced, and is out for their blood. Will the past be uncovered before it kills again? What awful secret has came back to haunt the living?
Both sober and sobering, producer-director Emile de Antonio’s In the Year of the Pig is a powerful and, no doubt for many, controversial documentary about the Vietnam War.
In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.
Clara's mother is on her death bed as she tells her daughter that she regrets they are not closer. This revelation causes Clara to pursue a closer relationship with her own daughter, Bianca.