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A dense film that cuts up footage of a primary plot of two young Yugoslavian girls, one a politico and the other a sexpot, and an affair with a visiting Russian skater. Mixing metaphors of Russia's relationship with Yugoslavia, intercut with footage and interviews with Wilhelm Reich and Al Goldstein of Screw magazine. The film applies Reich's theories of Orgone energy and analogies of Stalinism as a form of Freudian sexual repression. Was banned in Yugoslavia shortly after it was made.

Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus.

Athos Magnani, a young researcher, returns to Tara, where his father was killed in 1936 in uncleared circumstances, before his birth. As the son untangles the web of lies the story of the assassination is constructed from, he finds himself ensnared in the same web.

Meek, owlish Felix (George Segal) and strident, catty Doris (Barbra Streisand) live in the same apartment building. His incessant typing bothers her; her gentlemen callers bother him. Felix informs the landlord of her activities, so Doris moves in on Felix. When they both get thrown out, they move in with Barney (Robert Klein) . . . until they drive him out! That's when Felix and Doris finally decide to put theory into practice. But do opposites attract?

Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.

From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and resistance fighters from Clermont-Ferrand. They comment on the nature, details and reasons for the collaboration, from anti-Semitism, xenophobia, and fear of Bolsheviks, to simple caution. Part one, "The Collapse," includes an extended interview with Pierre Mendès-France, jailed for anti-Vichy action and later France's Prime Minister. At the heart of part two, "The Choice," is an interview with Christian de la Mazière, one of 7,000 French youth to fight on the eastern front wearing German uniforms.

Based on true events that happened in Banning,California, Tell Them Willie Boy Is Here, tells the story of one of the last Western manhunts, in 1909. Willie Boy, a Native American, kills his girlfriend's father in self defense, and the two go on the run, pursued by a search posse led by Sheriff Christopher Cooper.

Jack is 24, sometimes he's a drag queen named Sabrina. In 1967, as Sabrina, he's the mistress of ceremonies at a national drag queen contest in New York City. The camera goes behind the scenes, recording the rehearsals leading up to the contest, the conversations in the dressing room (about draft boards, sexual identity and sex-change operations, and being a drag queen), and the jealousies that emerge before and after the competition. Jack introduces us to Richard, a young man who becomes Jack's protégé. As Miss Harlow, Richard enters the contest. One of his principal competitors is Miss Crystal, who's from Manhattan. Who will win the crown?

Luigi Bazzoni (Le Orme) directed this outstanding giallo thriller starring Franco Nero as a hard-drinking newspaperman who gets involved in a string of brutal murders.

Max Flatow is a precocious, social miscreant who has a way with home-made explosives. When he tires of these, he runs away from home only to emerge seven years later as Max Frost, the world's most popular entertainer. When Congressman John Fergus uses Frost as a political ploy to gain the youth vote in his run for the Senate, Frost wills himself into the system, gaining new rights for the young. Eventually, Frost runs for the presidency.