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Accio (Elio Germano) and Manrico (Riccardo Scamarcio) are working class brothers who live in Italy in the 1960s. While his brother becomes drawn into left-wing politics, Accio, the hotheaded younger brother, is taken under the wing of a market trader and while under his influence, joins the Fascist party. Accio ("Bully") is a nickname he is proud of because it makes him seem tough. Manrico and their sister Violetta are alarmed to hear their brother listening to Benito Mussolini's speeches in his room. Manrico often physically torments his brother, including stuffing his head in the barrel under the drain pipe of their house.

Sergei Eisenstein's final film, this is the first part of a three-part biopic of Czar Ivan Grozny, which was never completed due again to producer dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether. In this first part, set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.

After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.

A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

The Tang emperor is betrayed by one of his generals, who installs himself as emperor in the East Capital. The son of one of his slave workers escapes to the Shaolin Temple, learns kung fu, and sets out to kill the traitor who killed his father. Based on a true story from Shaolin folklore, but highly fictionalized.

A young girl who possesses the power of telekinesis accidentally causes her father's death after a family dispute at Crystal Lake. Years later, when a doctor tries to exploit her abilities, her power becomes a hellish curse, and she unwittingly unchains the merciless, bloodthirsty Jason Voorhees from his watery grave.

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.

A blind concert violinist gets a cornea transplant allowing her to see again. However, she gets more than she bargained for when she realizes her new eye can see ghosts. She sets out to find the origins of the cornea and discover the fate of its former host . . .

It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.