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As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory.

A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her. What is her goal? What is her purpose?

Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.

In this, the sequel to Jean de Florette, Manon (Beart) has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men whose greedy conspiracy to acquire her father's land caused his death years earlier.

During the medieval times, Martin Guerre returns to his hometown in the middle of France, after being away in the war since he was a child. Nobody recognise him, and the people who knew him suspect he is not Martin, but he knows all about his family and friends, even the most unusual things. Is this man really Martin Guerre?

In the aftermath of the Spanish Civil War, Ana, a sensitive seven-year-old girl in a rural Spanish hamlet is traumatized after a traveling projectionist screens a print of James Whale's 1931 "Frankenstein" for the village. The youngster is profoundly disturbed by the scenes in which the monster murders the little girl and is later killed himself by the villagers. She questions her sister about the profundities of life and death and believes her older sibling when she tells her that the monster is not dead, but exists as a spirit inhabiting a nearby barn. When a Loyalist soldier, a fugitive from Franco's victorious army, hides out in the barn, Ana crosses from reality into a fantasy world of her own.

An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

A group of Spanish refugees try to organize protests from France. Their network is under constant threat by the police and some of them have recently been arrested. The main character (played by Yves Montand) dedicated his whole life to the battle but he feels forever estranged. He doesn't find his place nor in his adoptive country (France) nor in love. But this film is not about the story, it's all about style. Alain Resnais has an original approach in this film and this is the thing that makes this film worth watching.