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Max finds himself in possession of an ancient scroll that describes the entire history of humankind from beginning to end. Seeking to use the information for his own gain, Max triggers the mechanism that begins influencing his own life.

Set in Savannah, Georgia, in the early 1970s, this is a novel of the anarchic joy of youth and encounters with the concerns of early adulthood. Francis Doyle, Tim Sullivan, and their three closest friends are altar boys at Blessed Heart Catholic Church and eighth-grade classmates at the parish school. They are also inveterate pranksters, artistic, and unimpressed by adult authority. When Sodom vs. Gomorrah '74, their collaborative comic book depicting Blessed Heart's nuns and priests gleefully breaking the seventh commandment, falls into the hands of the principal, the boys, certain that their parents will be informed, conspire to create an audacious diversion. Woven into the details of the boys' preparations for the stunt are touching, hilarious renderings of the school day routine and the initiatory rites of male adolescence, from the first serious kiss to the first serious hangover.

An ambitious ghost hunter is hired by the building owner of a factory plagued with sightings. The researcher contracts a crew of inexperienced workers to research the building. The crew becomes possessed by the negative energy in the building that preys on the emotional and psychological weaknesses of each individual.

A pair of mad doctors conduct a "sexperiment" on the viewer by showing a series of bizarre movies featuring lesbian zombies and video vixens. The film features various short films from Andrew Shearer's Gonzoriffic Films, including: Powerless, Bikini Gorilla, Mae of the Dead, Barbara, The Gash and more.

At the opening party of a colossal—but poorly constructed—office building, a massive fire breaks out, threatening to destroy the tower and everyone in it.

Ten stories, each inspired by one of the ten commandments.

“Lewis shows again why he is the leading journalist of his generation.”—Kyle Smith, Forbes The tsunami of cheap credit that rolled across the planet between 2002 and 2008 was more than a simple financial phenomenon: it was temptation, offering entire societies the chance to reveal aspects of their characters they could not normally afford to indulge. Icelanders wanted to stop fishing and become investment bankers. The Greeks wanted to turn their country into a pinata stuffed with cash and allow as many citizens as possible to take a whack at it. The Germans wanted to be even more German; the Irish wanted to stop being Irish. Michael Lewis's investigation of bubbles beyond our shores is so brilliantly, sadly hilarious that it leads the American reader to a comfortable complacency: oh, those foolish foreigners. But when he turns a merciless eye on California and Washington, DC, we see that the narrative is a trap baited with humor, and we understand the reckoning that awaits the greatest and greediest of debtor nations.

Canadian documentarian Jamie Kastner (The Secret Disco Revolution) looks back at a notorious 1970s murder trial in the Virgin Islands. It's where five politicized young islanders were convicted of a massacre at a ritzy country club. Fast forward a decade later, the culprits' ostensible leader stages a skyjacking and found refuge in Cuba.

A hyperactive boy and his best friend, a slow-witted youth with an affinity for horses, start collecting scrap metal for a shady dealer.

In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.