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THE BLOOD OF MY BROTHER goes behind the scenes of one Iraqi family's struggle to survive amidst the carnage of the growing Shia insurgency. Nineteen-year-old Ibrahim dreams of revenge when his brother is shot and killed by an American patrol. With scenes of fighting and death on the streets of Baghdad, this is the closest most viewers will ever come to being in Iraq; kneeling in prayer amidst a thousand Muslim worshipers, feeling the roar of low-flying Apaches, riding atop a sixty-ton tank, driving with masked resistance fighters to attack American positions, fleeing the threat of an overwhelming response, the blood in the street, a tank on fire, or the cold, distant stare of a dead Iraqi fighter. Written by Andrew Berends.

The accidental unearthing of Satan's earthly remains causes the children of 17th-century English village to slowly convert into a coven of devil worshipers.

fter killing the owner of a B-rated strip club, Burt, an indulgent vampire with a zest for life hides out (and dopes up) at an upscale drug den, until the strippers seeking revenge...and ...

Nebraska in the 1880's: bleak, lonely, and far from what you'd expect The Wild West to be. But for a naive Swedish immigrant, the frontier parlor of THE BLUE HOTEL represents the quintessential western fantasy. No one can convince The Swede that his dime-store notions about The West are foolish. He sees murderous intentions all around him and in his terror he turns everybody against him. Inevitably, the Swede attracts tragedy. However, who is responsible? The negative Swede? Or the cliquish hotel guests? Jan Kadar directs this timely story of how society punishes outsiders for being different.

THE BLUE HOUR tells the story of Tanya, a young woman with a mysterious past who finds herself trapped in a sexual hell in Los Angeles. Punctuated by striking visuals and avant-garde editing, THE BLUE HOUR is a lost masterpiece of late period sexploitation.

Young Biniya lives a poor lifestyle in a small village in the mountainous and snowy region of Himachal Pradesh in India along with her widowed mom and wrestler brother. She entertains various tourists, and while doing so with some tourists from Japan, trades in her bear-tooth amulet with a blue umbrella...

The film centers on a recluse known as "Colonel" and the final five days when Colonel's plantation of a high potency variant of marijuana gets ready for harvest.

Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last - the river. Despite this perfect record, Miguel is no stranger to death. His nickname, "El Maldito" hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel's house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose - crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck's lone survivor, recognizes Miguel.

A family of vampires takes over an estate known as Carfax Abbey. Since inbreeding is destroying the family line, they need new blood to keep the family going, so they set out to find new sources.

Wu-Lin is the successor of an ancient, once powerful Chinese clan, the "Iron Feet." After the death of his master, Wu-Lin leaves his rural village for the City of Stone-Cold looking for his fellow apprentice Jiang Li. Along the way, he becomes the bodyguard of Fei-Fei, the daughter of Jia-Shan Li, the richest family in the city, and quickly gets drawn into a mob war in order to protect her.