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Not The Messiah (He's a Very Naughty Boy) is a comic oratorio based on Monty Python's Life of Brian, which retells the tragic tale of Mandy, impregnated by a Roman soldier, giving birth to Brian, a reluctant revolutionary of the People's Front of Judea who falls in love with Judith, gets mistaken for a Messiah and is arrested by the Romans and sentenced to be crucified. It ranges in reference from Handel, through a naughty Mozart duet, to the Festival of Nine Carols, Bob Dylan, and the classic finale "Always Look on the Bright Side of Life".

The history of legendary rock band Chicago is chronicled from their inception in 1967 all the way to the present.

Documentary about basketball star Dirk Nowitzki.

The colorful holiday classic is finally brought to the big screen, designed by famed children's story author and artist Maurice Sendak, and written for the first time to be as close as possible to the original story. A lavish, exciting and heart-warming celebration of dance, of music, and of life. Based upon the Pacific Northwest Ballet's original production.

Documentary revealing just how dangerous too much fat is to our most vital internal organs. The programme follows a specialist pathology team as they conduct a post-mortem on the body of a 17-stone woman whose body was donated to medical science. Their findings, as they dissect the body and its organs, are startling, exposing the devastating impact of obesity with stunning visuals and fascinating medical facts. Morbid obesity reduces life expectancy by an average of nine years and is blamed for over 30,000 deaths in the UK every year. With 65 per cent of people already overweight or obese, this extraordinary film is a powerful contribution to the debate about fat, food, lifestyle and how the health service will cope with the growing obesity crisis.

Based on the true story of Shepard Fairey's first act of street art, OBEY THE GIANT tells the story of a young skate punk challenging a big-city mayor and the powers-that-be at art school. Frustrated by his inability to gain respect within the confines of art school Shepard sets out to gain notoriety and acclaim by targeting the most powerful man in Providence, former Mayor Buddy Cianci. Risking expulsion and jail time Shepard plasters Andre the Giant's face over the image of Cianci on a campaign billboard. As word of Shepard's prank gets out, Shepard learns that art is a weapon and attention is both a blessing and a curse.

Director Bud Clayman documents his struggle with OCD and Asperger's Syndrome and how it derailed his plan to become a filmmaker.

Kelly Clarkson presents the biggest newsmakers and names in film, television and music; as well as emerging new talent and everyday people who are beacons of hope in their communities.

Welcome to the strangest, most distinctive future ever imagined by a science fiction writer. An interstellar empire ruled by the mysterious Lords of the Instrumentality, whose access to the drug stroon, from the planet Norstrilia, confers on them virtual immortality. A world in which wealthy and leisured humanity is served by the underpeople, genetically engineered animals turned into the semblance of people. A world in which the great ships which sail between the stars are eventually supplanted by the mysterious, instantaneous technique of planoforming. A world of wonder and myth, and extraordinary imagination.

“Wild satire . . . The feckless protagonist, Arthur Dent, is reminiscent of Vonnegut heroes.”—Chicago Tribune The unhappy inhabitants of planet Krikkit are sick of looking at the night sky above their heads—so they plan to destroy it. The universe, that is. Now only five individuals stand between the killer robots of Krikkit and their goal oftotal annihilation. They are Arthur Dent, a mild-mannered space and time traveler who tries to learn how to fly by throwing himself at the ground and missing; Ford Prefect, his best friend, who decides to go insane to see if he likes it; Slartibartfast, the indomitable vice president of the Campaign for Real Time, who travels in a ship powered by irrational behavior; Zaphod Beeblebrox, the two-headed, three-armed ex-president of the galaxy; and Trillian, the sexy space cadet who is torn between a persistent Thunder God and a very depressed Beeblebrox. How will it all end? Will it end? Only this stalwart crew knows as they try to avert “universal” Armageddon and save life as we know it—and don’t know it! “Adams is one of those rare treasures: an author who, one senses, has as much fun writing as one has reading.”—Arizona Daily Star